Pune | Old Rangoli In New Avtar Fresco Painting

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Techniques of Indian Paintings by King Bhoja in Perspective.

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Techniques of Indian Paintings by King Bhoja in Perspective. By Dr. Bharati Mate, Pune (Samarangana Sutradhara: Chapter 71-83) Paper written for King Bhoja's conference held at Bhopal. King Bhoja follows the traditional convention of infrastructure of his textual content arrangement. The Shilpashastra works prior to him allotted nearly one third portion for iconography, sculpture etc. King Bhoja has allotted chapter 70 to 83 for iconography, painting, preparation of painting tools and material, iconometry, classification of objects into male & female types, infusion of sentiments in images and various dance postures as an equipment of sculptural panels. Research Scholars, such as Dr. Ashok K. Bhattacharya have already written special monograph on the technique of Indian Painting on the basis of the study of Shilpa Texts including Samarangana Sutradhara. Dr. A.K. Bhattacharya has taken note of Vishnudharmottara Purana, Chitralakshana Chapter, and T. A. Gopi
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Lines on Stone

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Lines on Stone   (Interesting places to see in India published in Australian Magazine Desh-Videsh: 1997)             by Dr. Bharati Mate It holds your breath. Not even in your wildest fantasy could you ever have imagined, the existence of more than 1000 rock shelters. Such a place, out of which 500 rock shelters are depicted by Paintings- by nameless masters of humanity's earliest artistic past. 'Bhimbetka'- the above said place is situated 43 kms away from the south of Bhopal, (Dist Raisen, Madhya Pradesh, India) surrounded by the northen fringe of the Vindhyan Ranges. In the rocky terrain of dense forest and craggy cliffs, over thousands of rock shelters are spreaded. In the area of Bhimbetka, rock art extends over 10kms & includes 7 hills. 1. Vinayaka 2. Bhornavali 3. Bhimbetka 4. Lakha Juar (East) 5. Lakha Juar (West) 6. Jondra and  7. Muni Babaki-Pahari On the Bhimbetka hill 200/300 rock shelters were discovered by Dr. Wakankar (in 1972) belongs to n
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Indus Valley Civilization: Art Exploration

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Indus Valley Civilization: Art Exploration Enrichment and enhancement is a boon offered by Nature after a deep turmoil. After the saga, the global water disaster the boost of economy and development emphasize the strong survival core of humans. History too, reveals the wash out of the golden Indus Civilization. In the hidden identity of Indus, a remarkable instinct revolution shows light. Name it Modernization, Progress and Technological Innovation. Indus has a primordial link and foundation. Indus people were true trade icons who have provided us with a foundation for growth and development. They standstill as ever survivors, yet glorious enterprises as pathfinders, this spirit of Indus inspires us to EXCEL. A Pure Excellence! Mother Goddess: The fertility concept and its spiritual journey is what Indus has expressed as ‘Mother Goddess’. ‘With Fire as seed and water as the 'nourisher’ a fruit of creation is reaped. She, the mother who bears this, is wo
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